How To Install Avid Media Composer 8
 | |
| Programmer(s) | Avid Technology |
|---|---|
| Initial release | 1989 (1989) |
| Stable release | 2021.ix / September 30, 2022 (2021-09-thirty) |
| Operating system | macOS Large Sur 11.5.ii, Windows 10 64-bit v2004 Professional person and Enterprise. |
| Type | Video editing software |
| License | Proprietary |
| Website | Gorging Media Composer |
Avid Media Composer is a motion picture and video editing software application or non-linear editing system (NLE) developed by Avid Technology. Initially released in 1989 on Macintosh II as an offline editing arrangement, the awarding has since evolved to allow for both offline and online editing, including uncompressed standard definition (SD), high definition (HD), 2K and 4K editing and finishing. Since the 1990s, Media Composer has been the dominant non-linear editing system in the moving-picture show and telly industry, first on Macintosh and afterward on Windows. Gorging NewsCutter, aimed at newsrooms, Avid Symphony, aimed at finishing, were all Gorging products that were derived from Media Composer and share like interfacing, every bit were Avid Xpress Pro (discontinued in 2008) and its predecessor Avid Xpress DV, which were aimed at the lower terminate of the market.
There are four versions of Gorging Media Composer;[one] Media Composer | First (a freeware version), Media Composer, Media Composer | Ultimate, and Media Composer | Enterprise. Media Composer can be used as standalone software, or to which the user can add specific external I/O devices, either from Avid or from specific third parties.
History [edit]
According to Eric Peters, one of the company's founders, well-nigh prototypes of "the Gorging" were built on Apollo workstations. At some point, Avid demo'd i of their products at SIGGRAPH. Says Peters: "Some Apple people saw that demo at the show and said, 'Nice demo. Incorrect platform!' It turned out they were evangelists for the then new Mac Ii (with *six* slots!). When nosotros got back to our office (actually a converted machine shop) after the testify, at that place was a pile of FedEx packages on our doorstep. They were from Apple, and they contained two of their prototype Mac II machines (and so early they didn't even have cases, just open chassis). Also there were four large multisync monitors. Each computer was loaded with full memory (probably 4 megs at the time), and a full complement of Apple software (pre-Claris). That afternoon, a consultant knocked on our door saying, 'Hi. I'one thousand being paid by Apple tree to come up here and port your applications from Apollo to Macintosh.' He worked for the states for several weeks, and really taught u.s.a. how to plan the Macs." At the time, Macs were not considered to be fast enough for video purposes. The Avid engineering team, withal, managed to get 1,200 kBytes per second, which immune them to do offline video on the Macs.
The Avid Film Composer was introduced in August 1992. Film Composer was the first non-linear digital editing organisation to capture and edit natively at 24fps. Steven Cohen was the first editor to employ Flick Composer for a major motion movie, on Lost in Yonkers (1993).
The arrangement has been used by other tiptop editors such as Walter Murch on The English Patient, the first digitally edited film to receive a Best Editing Oscar.
In 1994, the Academy of Move Moving-picture show Arts and Sciences awarded the Gorging Picture show Composer with a plaque for Science & Technical Achievement. Six persons were recognized in that endeavour: Bill Warner, Eric Peters, Joe Rice, Patrick O'Connor, Tom Ohanian, and Michael Phillips. For continued development, Avid received an Oscar representing the 1998 Scientific and Technical Honour for the concept, design, and technology of the Gorging Picture show Composer system for movement picture editing.
Film Composer is no longer available, since all of its specific moving-picture show editing features were implemented into the "regular" Media Composer.
In July 2009, American Movie theatre Editors (ACE) announced that the ACE Board of Directors had recognized Avid Media Composer software with the Board'due south kickoff ACE Technical Excellence Award.[ii]
User Interface (UI) [edit]
The Avid Media Composer user interface has seen many changes and upgrades over the years. Early on versions focused on creating somewhat of a digital representation of the pic editing process. The thought of organizing clips using bins was a familiar concept, and so it was piece of cake for editors to migrate from the flatbed editing world into Avid's digital interface. Also familiar was the Source/Record window which was seen in KEM and Steenbeck systems.
Through the 1990'due south the interface saw practical upgrades which were fabricated in collaboration between its designers who were also working editors, and professional person editors working in Hollywood and at network television studios. The interface design remained decidedly plainly and two-dimensional. Interface design was focused more on clip management in the Timeline Window than on UI colors and buttons.
Crossing Y2K and into the early 2000's with Media Composer 10, eleven, and 12, the user interface saw significant advancements in non only project arrangement merely also skeuomorphic design. Information technology gave users incredible power in defining their own preferences in button shapes and shading, colour coding, workspace compages, and other intricate customizations. In May 2003 when Avid Adrenaline introduced HD editing and a resetting of the version numbering dorsum to 1.0, work on improving the user interface connected.
With the release of Media Composer v, the user interface saw a desperate change. After extensive testing, the skeuomorphic design and other visual elements were realized to be causing a slight bleed on graphics card performance. It was decided to scale-dorsum the blueprint and chase a flatter approach. Users who upgraded to this version were initially upset at the loss of customizability but were indeed satisfied with the noticeable reduction in interface lag.
By Media Composer 7, viii, and 2022, at that place was a consistent outcry from customers to upgrade the overall interface.
During 2022, Avid conducted extensive interviews, listening sessions, and ACA meetings with hundreds of users to absorb every bit much of their opinions as possible. Central outcomes from those sessions included needs for stronger organization abilities for bins (bin containers), tools and other interface elements that could snap-to each other, a "paneled" interface that could mold itself to any screen size or configuration, and a ways of toggling between the classic concept of Avid Workspaces in a newer, more accessible manner (Workspace Toolbar). Another mutual complaint of the classic interface was its overall functioning, which had laggy timeline behavior in comparison to other nonlinear edit systems (NLEs). While the Media Composer team worked on the new user interface, the engineers and architecture team retooled the underlying code and video engine. In June of 2022, Avid released Media Composer 2022.6.
Users saw consistent upgrades to the user interface throughout 2022, 2022, and 2022. As of late 2022, the bulk of Media Composer users were subscription-based, and using the modern user interface.
Hardware [edit]
Gorging Mojo DX: a newer version of the Mojo with architecture offering faster processing and full 1920x1080 Hard disk drive resolution in addition to standard definition video. This interface has SDI/Hard disk drive-SDI inputs and outputs, HDMI outputs and stereo i/4" TRS audio inputs and outputs.
Gorging Nitris DX: a replacement of the Adrenaline hardware, a successor to the original Gorging Nitris (used with Avid DS and Avid Symphony), with architecture offering faster processing and full 1920x1080 Hard disk resolution (without extra cards) in improver to standard definition video. This interface also has a hardware DNxHD codec. Video connections include SDI, HD-SDI, Composite, S-Video and Component (SD or HD) inputs and outputs, it likewise has a HDMI output. Audio connections include XLR, AES, optical South/PDIF and ADAT inputs and outputs. It also has RCA inputs and 1/four" TRS outputs, plus LTC timecode I/O. Starting with Media Composer v5.5 an optional AVC-Intra codec module can be installed in the Nitris DX for native playback of this format. With Media Composer v6.0 is it now possible to have two DNxHD or AVC-Intra modules installed for dual stream stereoscopic capture and full resolution stereoscopic playback.
Hardware history [edit]
Media Composer as standalone software (with optional hardware) has only been available since June 2006 (version 2.5). Earlier that, Media Composer was only bachelor as a turnkey system.
The 1990s [edit]
From 1991 until 1998, Media Composer 1000, 4000 and 8000 systems were Macintosh-merely, and based on the NuVista videoboard by Truevision. The outset-release Avids (US) supported 640x480 30i video, at resolutions and compression identified by the prefix "AVR". Single-field resolutions were AVR 1 through 9s; interlaced (finishing) resolutions were initially AVR 21–23, with the later improvements of AVR 24 through 27, and the afterward AVR 70 through 77. AVR12 was a two-field interlaced offline resolution. Additionally, Gorging marketed the Media Composer 400 and 800 as offline-only editors. These systems exclusively used external fast SCSI drives (interfaced through a SCSI accelerator board) for media storage. Gorging media was digitised as OMFI (Open up Media Framework Interchange) format.
In the mid-nineties, versions 6 and 7 of Media Composer 1000, 8000 and 9000 were based on the Avid Broadcast Video Lath (ABVB), supporting video resolutions upwardly to AVR77. The video epitome was also improved to 720x480. 3D add-on boards (most notably the Pinnacle Alladin, externally, and the peak genie pro board, internally, through special 100 pin bypass cable ) and 16bit 48K 4-channel and 8-aqueduct sound I/O (Gorging/DigiDesign 442 and Avid/DigiDesign 888) were optional.
The 1998 introduction of the Avid Symphony marked the transition from ABVB to the Meridien hardware, assuasive for uncompressed SD editing. This introduction was also the first version of Media Composer XL bachelor for the Windows operating system. Many users were concerned that Avid would abandon the Mac platform, which they eventually did not practice. Media Composer XL versions 8 through 12.0.v (models MC Offline Twoscore, MC 1000 XL, MC 9000XL) were congenital around Meridien hardware. Compression options were expressed in ratios for the starting time time in the evolution of the product. Even though the video board had changed, the audio I/O was all the same handled by the Avid/DigiDesign 888 (16bit 48K) hardware. At this fourth dimension, 16x9 aspect ratios began to be supported.
The 2000s [edit]
Avid Media Composer Meridien was released through November, 2003.
In 2003, Avid Mojo and Avid Adrenaline formed the new DNA (Digital Non-linear Accelerator) hardware line. The launch of Avid Media Composer Adrenaline brought along a software version renumbering, as it was labeled Avid Media Composer Adrenaline 1.0. At this time, Avid began using MXF (Material Exchange Format) formatting for media files. Avid products maintain compatibility with OMFI files.
Adrenaline was the first Media Composer system to support 24bit audio. It also meant the cease of Film Composer and Media Composer Offline, since the Gorging Media Composer Adrenaline featured nigh of the movie options and online resolutions and features. From this signal onward, Avid systems have supported media storage using SCSI, PCI-eastward, SATA, IEEE 1394a & b, Ethernet and fiberoptic interfaces.
In 2006, Media Composer two.5 was the first version to be offered 'software-only', giving the user the pick of purchasing and using the software without the boosted toll of the external accelerators. Software-only Avid setups could use third-party breakout boxes, usually interfaced via FireWire, to learn video from SDI and analog sources.
In 2008, the Mojo DX and Nitris DX were introduced, replacing the Adrenaline. Both are capable of treatment uncompressed Hd video, with the Nitris DX offer greater processing speed and input/output flexibility.
Gorging designed hardware [edit]
Avid systems used to ship with Avid branded I/O boxes, like Mojo, Adrenaline and Nitris, but in contempo years have ceased to produce their own hardware, and take started collaborating with companies similar Blackmagic Pattern and AJA, releasing customised, Avid-branded I/O boxes, like DNxIO, DNxIQ and DNxIV.
Third-party supported hardware [edit]
Starting with Media Composer 6, a new Open IO API immune third-party companies to interface their hardware into Media Composer. AJA Video Systems, Blackmagic Design, Matrox, BlueFush and MOTU are supporting this API. Avid's own DX hardware is nonetheless natively interfaced into the awarding which currently allows some extra features that Open IO is limited in (LTC timecode support for example). It is expected that over time some of these missing APIs will be added.
AJA IO Express: Starting with Media Composer 5.five, introduced support for the AJA IO Express interface. This interface volition allow SD/HD input and output via SDI and HDMI. It besides has analog video and audio outputs for monitoring. It connects to a computer via PCIe or ExpressCard/34 interface.
Matrox MXO2 Mini: Starting with Media Composer 5, Avid introduced support for the Matrox MXO2 Mini interface, as a breakout box with no boosted processing. While this interface does accept input connections, only output is supported past Media Composer v5.x, starting with Media Composer v6.x you tin capture with this interface. The connections on the unit support analog video/sound and HDMI in both SD and Hard disk formats. The device is connected by a cablevision to either a PCIe card or ExpressCard/34 interface, and so this unit can exist used on a desktop or laptop system.
Avid Media Composer compatible hardware is manufactured by AJA Video Systems, Blackmagic Pattern, BlueFish, Matrox and MOTU.
Discontinued hardware [edit]
Avid Mojo: includes Blended and S-Video with two channels of RCA sound. There is an optional component video cablevision that tin can be added to this interface. This interface merely supports SD video formats.
Avid Mojo SDI: includes Composite, S-Video, Component and SDI video, with 4 channels RCA, four channels AES and 2 channels optical South/PDIF audio. This interface only supports SD video formats.
Avid Adrenaline: rack mountable interface which includes Blended, South-Video, Component and SDI video, 4 channels of XLR, 4 channels of AES, 2 channels of S/PDIF and 8 channels of ADAT sound. This interface also has an expansion slot for the DNxcel carte which adds Hard disk-SDI input and output likewise equally a DVI and Hard disk drive component outputs. The DNxcel card uses Avid's DNxHD compression which is available in 8-scrap color formats up to 220mb equally well as a ten-fleck colour format at 220mb. The DNxcel card also adds existent-time SD downwardly-convert and HD cross-convert.
Avid Mojo DX : rack mountable interface with diverse I/O
Avid Nitris DX: : rack mountable interface with various I/O
Features [edit]
Cardinal features [edit]
- Animatte
- 3D Warp
- Paint
- Live Matte Key
- Tracker / Stabiliser
- Timewarps with motion interpretation (FluidMotion)
- SpectraMatte (high quality blush keyer)
- Color Correction toolset (with Natural Match)
- Stereoscopic editing abilities (expanded in MC v6)
- AMA - Avid Media Access, the ability to link to and edit with P2, XDCAM, R3D, QuickTime and AVCHD native material directly without capture or transcoding.
- Mix and Lucifer - put clips of any frame rate, pinch, scan mode or video format on the aforementioned timeline
- SmartTools - drag and drop style editing on timeline, can be selectively adjusted to the types of deportment that the user wants to utilize when clicking on timeline.
- RTAS - (RealTime AudioSuite), back up for realtime track-based audio plug-ins on the timeline.
- 5.1 and seven.1 Surroundings Audio sound mixing, compatible with Pro Tools
- PhraseFind - analyses clips and indexes all dialog phonetically allowing text search of spoken words. (reacquired as of 8.nine.iii)
- ScriptSync (with Nexidia phonetic indexing and sync) (reacquired equally of eight.ix.iii)
Color correction [edit]
Avid Symphony includes Avant-garde/Secondary/Relational Color Correction and Universal HD Mastering. Starting with version 7, Symphony became paid option for Media Composer; with version 8, it was included with monthly and annual subscription licenses.
Software protection [edit]
The software used to exist protected by means of "blesser" floppy, tied to the Nubus'southward TrueVista lath (significant that if the board is replaced, a new "blesser" floppy comes with the lath), and after with USB dongles. As of version 3.5 the dongle is optional, and existing users may choose to use software activation or keep using their dongles, while new licenses are sold exclusively with software activation. The software ships with installers for both Mac and Windows and can physically be installed on several computers, allowing the user to move the software license between systems or platforms depending on the licensing method.
Licensing options [edit]
With Media Composer 8, Avid introduced monthly and annual subscription licensing systems similar to Adobe Creative Cloud, assuasive users to install and activate Avid without purchasing a perpetual license. Media Composer licenses must exist confirmed either by Gorging's internet servers every xxx days or by an on-site floating license server. Starting with version 8, updates and support for perpetual licenses also require almanac back up agreements; support is included with subscription licenses.[3]
Installers [edit]
The installer used to include installers for:[4]
- EDL Director
- Avid Log Commutation (no longer in v8)
- FilmScribe
- MediaLog (no longer in v8)
- Coaction Transfer
- MetaSync Manager (no longer in v6)
- MetaSync Publisher (no longer in v6)
- MetaFuze (Windows only), a standalone awarding to convert files (R3D, DPX, TIFF) from film scanning, CGI systems or Carmine photographic camera into MXF media files. Actually based on an import module that was taken from Avid DS.
3rd-party software [edit]
Some boxed versions of Media Composer came with the following third party software:
- Avid FX - 2D & 3D compositing and titling software (aka Boris RED)
- Sorenson Squeeze - Compression software to create, Windows Media, QuickTime, MPEG 1/2, MPEG 4 or Flash video (v8 monthly/annual subscription only)
- SonicFire Pro 5 - music creation software (includes two CDs of music tracks)
- Avid DVD by Sonic - DVD and Blu-ray authoring software (Windows just; no longer updated as of v8)
- NewBlue Titler Pro - 2D and 3D video title software (v8 perpetual licenses bundled with v1, subscription licenses with v2)
- Boris Continuum Consummate - second and 3D graphics and effects (v8 monthly/almanac subscription only)
Revisions and features [edit]
| Engagement | Operating system | Version | Description |
|---|---|---|---|
| 1989 | Macintosh[ which? ] | Avid/ane |
|
| 1992 | Macintosh[ which? ] |
| |
| January 1993 | Macintosh[ which? ] |
| |
| Dec 1994 | Macintosh[ which? ] | 5.2 |
|
| Jul 1995 | Mac Os 7.5 | five.5 |
|
| Sep 1995 | Mac OS vii.five | 6.0 |
|
| Mar 1996 | Mac OS seven.5 | vi.one |
|
| Dec 1996 | Mac Os 7.5 | 6.5 |
|
| Feb 1998 | Mac Os 7.5 - 8 | 7.0 |
|
| 1999 | Mac Bone vii.6 – 8.6 | 7.2 | Terminal version based on the ABVB hardware. |
| 1999 | Mac Bone viii.v | eight.0 |
|
| 1999 | Windows | 9.0 |
|
| 2000 | Mac OS 9, Windows | 10.0 |
|
| 2001 | Mac Bone 9, Windows | 10.5 | |
| 2002 | Mac OS 9, Windows | 11.0 |
|
| February 2003 | macOS | 11.7 |
|
| May 2003 | macOS, Windows | 1.0 |
|
| Nov 2003 | macOS, Windows | 12.0 |
|
| Sept 2004 | macOS, Windows | ane.5 |
|
| Dec 2004 | Windows | 2.0 |
|
| March 2005 | Windows | 2.1 |
|
| Dec 2005 | Windows | two.2 |
|
| June 2006 | macOS, Windows | two.5 |
|
| Sept 2006 | macOS, Windows | two.6 |
|
| March 2007 | macOS, Windows | 2.6.iv |
|
| May 2007 | macOS, Windows | ii.7 |
|
| Dec 2007 | macOS, Windows | 2.eight |
|
| June 2008 | macOS, Windows | 3.0 |
|
| Sept 2008 | macOS, Windows | iii.05 |
|
| Dec 2008 | macOS, Windows | three.1 |
|
| March 2009 | macOS, Windows | 3.v |
|
| Sept 2009 | macOS, Windows | 4.0 |
|
| November 2009 | macOS, Windows | four.0.iv |
|
| June 2022 | macOS, Windows | 5.0 |
|
| March 2022 | macOS, Windows | 5.5.1 |
|
| August 2022 | macOS, Windows | 5.v.3 |
|
| November 2022 | macOS, Windows | 6.0 |
|
| September 2022 | macOS, Windows | 6.5 |
|
| July 2022 | macOS, Windows | 7.0 |
|
| September 2022 | macOS, Windows | 7.0.2 |
|
| December 2022 | macOS, Windows | 7.0.3 |
|
| seven.0.7 (maintenance release) |
| ||
| May 2022 | macOS, Windows | 8.0.0 |
|
| July 2022 | macOS, Windows | 8.1.0 |
|
| October 2022 | macOS, Windows | 8.2.0 |
|
| Dec 2022 | macOS, Windows | eight.iii.0 |
|
| March 2022 | macOS, Windows | 8.iii.1 |
|
| Jan 2022 | macOS, Windows | 8.5.0 |
|
| June 2022 | macOS, Windows | 8.6.0 |
|
| Dec 2022 | macOS, Windows | 8.7.0 |
|
| Feb 2022 | macOS, Windows | 8.viii.0 |
|
| August 2022 | macOS, Windows | 8.nine.0 |
|
| December, 2022 | macOS 10.xiii.ii High Sierra ten.12.6 Sierra ten.eleven.6 El Capitan 10.10.5 Yosemite 10 Pro/Ent 8.i Pro/Ent vii Pro SP1 | 8.10 |
|
| January 2022 | macOS, Windows | 2018.1 | Avid changed the version numbering starting in January 2022 |
| July 2022 | macOS, Windows | 2018.vii |
|
| August 2022 | macOS, Windows | 2018.8 |
|
| September 2022 | macOS, Windows | 2018.nine |
|
| October 2022 | macOS, Windows | 2018.10 |
|
| Dec 2022 | macOS 10.fourteen.2 Mojave ten.13.half-dozen High Sierra 10.12.6 Sierra 10 Pro/Ent 8.i Pro/Ent vii Pro SP1 | 2018.12 |
|
| Jan 2022 | macOS, Windows | 2018.12.i |
|
| April 2022 | macOS, Windows | 2018.12.iii through 2022.12.11 | Issues fixes |
| June 2022 | macOS, Windows | 2019.6 |
|
| July 2022 | macOS, Windows | 2019.vii | Bug fixes |
| Baronial 2022 | macOS, Windows | 2019.8 | |
| September 2022 | macOS, Windows | 2019.ix | UI improvements |
| November 2022 | macOS, Windows | 2019.11 | Issues fixes |
| January 2022 | macOS, Windows | 2019.12.i | Problems fixes |
| Apr 2022 | macOS, Windows | 2020.four |
|
| May 2022 | macOS, Windows | 2020.v | Bug fixes |
| June 2022 | macOS, Windows | 2020.6 |
|
| August 2022 | macOS, Windows | 2020.8 | Problems fixes |
| September, 2022 | macOS: Catalina 10.15.7 Mojave ten.14.half-dozen High Sierra 10.13.half-dozen Windows 10 v.1809 for Pro/Enterprise | 2020.ix |
|
| October, 2022 | macOS: Catalina 10.15.7 Mojave 10.14.6 High Sierra 10.thirteen.half-dozen Windows 10 five.1809 for Pro/Enterprise | 2020.10 | New ability to link to ProRes RAW files |
| December, 2022 | macOS: Big Sur 11.1 Catalina 10.15.7 Mojave 10.14.half dozen High Sierra 10.13.half-dozen Windows 10 v.1809 for Pro/Enterprise | 2020.12 |
|
| 2020.12.1 (maintenance release) | Issues fixes | ||
| 2020.12.2 (maintenance release) | Bug fixes | ||
| 2020.12.3 (maintenance release) |
| ||
| February, 2022 | macOS: Large Sur 11.1 Catalina 10.15.7 Mojave 10.14.6 High Sierra x.13.6 Windows 10 five.1809 for Pro/Enterprise | 2021.ii | Issues fixes |
| March, 2022 | macOS: Big Sur 11.two.three & eleven.1 Catalina 10.fifteen.vii Mojave 10.xiv.6 High Sierra 10.13.half dozen Windows x five.1909 for Pro/Enterprise | 2021.3 |
|
| May, 2022 | macOS: Big Sur 11.2.3 & 11.one Catalina 10.fifteen.7 Mojave 10.14.6 High Sierra 10.13.6 for Pro/Enterprise | 2021.5 |
|
| June, 2022 | macOS: Big Sur eleven.4.0, 11.iii.1, 11.2.3 & 11.ane Catalina 10.15.7 Mojave 10.14.6 Loftier Sierra x.thirteen.6 for Pro/Enterprise | 2021.six |
|
| September, 2022 | macOS: Big Sur xi.10 - eleven.5.x Catalina 10.15.7 Mojave 10.14.6 for Pro/Enterprise | 2021.9 |
|
| December, 2022 | TBD | 2020.12 | Coming Soon |
References [edit]
- ^ "Media Composer Version FAQ 2022". avid.secure.force.com . Retrieved 2020-07-14 .
- ^ "American Cinema Editors (ACE) Board Honors Avid Media Composer" (Printing release). Archived from the original on 2009-12-12. Retrieved 2009-12-23 .
- ^ "Media Composer 8 FAQ". Avid. [ dead link ]
- ^ "Media Composer - Compare". Avid.
External links [edit]
- Official website
Source: https://en.wikipedia.org/wiki/Media_Composer
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